A half-truth, the Catholic historian John Lukacs frequently warned his readers, is more dangerous than a lie. The element of truth gives the half-truth a veneer of credibility that the lie does not have, and it often leads those who should know better to doubt their own judgment.
A few minutes into the pre-release screener of Netflix’s “The Two Popes,” I began to wonder what Lukacs, who died last spring at the age of 95, would have thought of it. The producers of “The Two Popes” have been forthright in acknowledging that the film is a work of fiction, and Lukacs would have been the first to admit that fiction can often reveal deeper truths than a mere recitation of the facts ever could. But works of fiction involving historical figures too often fall more into the category of half-truths, and “The Two Popes” is no exception.